Theatre Review: This House (Birmingham REP)

This House By James Graham Birmingham REP Review by Georgia Kelly It’s no surprise that This House sold out runs in the National Theatre and West End. The immense...

Theatre Review – Bad Jews

Bad Jews Theatre Royal Bath Productions, Kenny Wax Limited and Simon Friend The New Alexandra Theatre  By Joshua Harmon Directed by Michael Longhurst  Reviewer: Mary Moncrieff  In an intensely cramped...
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Theatre Review: The Birthday Party (Harold Pinter Theatre)

The Birthday Party Harold Pinter Theatre by Harold Pinter Directed by Ian Rickson Reviewer: Tom Baker Most of Harold Pinter’s plays feel as though they ought to be performed...

Theatre Review: DNA (Birmingham REP)

DNA Birmingham REP Written by Dennis Kelly Performed by Young REP Reviewed by Georgia Kelly It's the perfect crime, meaning it wasn't their fault. When Adam goes missing an...
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Theatre Review: 4.48 Psychosis (Lyric Hammersmith)

4.48 Psychosis Lyric Theatre By Sarah Kane, adapted by Philip Venables Directed by Ted Huffman Reviewer: Tom Baker The text of Sarah Kane’s final play does not specify setting,...

Theatre Review: The Kite Runner (Birmingham REP)

The Kite Runner is showing at The Birmingham REP from 13th - 24th March.
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Theatre Review: The Lady from the Sea (Donmar Warehouse)

The Lady from the Sea Donmar Warehouse by Henrik Ibsen, in a new version by Elinor Cook Directed by Kwame Kwei-Armah Reviewer: Tom Baker How long can the truth...

Theatre Review: Brighton Rock (Birmingham REP)

Brighton Rock By Graham Greene Adapted by Bryony Lavery Birmingham REP Review by Georgia Kelly Graham Greene's infamous novel comes to life on stage with Pilot Theatre's adaptation of...

Harry Potter and the Cronos Syndrome

The children of the 1990s, the entitled millennials, were quite a privileged generation, and among their many privileges, from being raised with the internet,...
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Theatre Review: Belleville (Donmar Warehouse)

Belleville Donmar Warehouse by Amy Herzog Directed by Michael Longhurst Reviewer: Tom Baker Playwright Amy Herzog understands the rhythms, vocal sparring, and awkwardness of good dialogue as nobody else...