4 48 psychosis lyric hammersmith sarah kane opera numbers

Theatre Review: 4.48 Psychosis (Lyric Hammersmith)

4.48 Psychosis Lyric Theatre By Sarah Kane, adapted by Philip Venables Directed by Ted Huffman Reviewer: Tom Baker The text of Sarah Kane’s final play does not specify setting,...

Theatre Review: Stuff (Birmingham REP)

Stuff Devised by Janice Connolly and Michael Crouch Directed by Daniel Bailey Birmingham REP Review by Georgia Kelly Hoarding is a subject we seem to know very little about,...

Theatre Review: This House (Birmingham REP)

This House By James Graham Birmingham REP Review by Georgia Kelly It’s no surprise that This House sold out runs in the National Theatre and West End. The immense...

Theatre Review: Truth (Birmingham REP)

Truth Birmingham REP Helen Chadwick Song Theatre & November Productions Reviewer: Georgia Kelly If, like me, you have never encountered 'song theatre' before, there is no better introduction...

Theatre Review: Brighton Rock (Birmingham REP)

Brighton Rock By Graham Greene Adapted by Bryony Lavery Birmingham REP Review by Georgia Kelly Graham Greene's infamous novel comes to life on stage with Pilot Theatre's adaptation of...

Theatre Review: ‘Orange Polar Bear’ (Birmingham REP)

Orange Polar Bear by Sun-Duck Ko and Evan Placey Birmingham REP Review by Georgia Kelly Perhaps one of the best pieces of theatre you will see this year...
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Theatre Review: Belleville (Donmar Warehouse)

Belleville Donmar Warehouse by Amy Herzog Directed by Michael Longhurst Reviewer: Tom Baker Playwright Amy Herzog understands the rhythms, vocal sparring, and awkwardness of good dialogue as nobody else...

Review – The Lion, The Witch and The Wardrobe

The Lion, The Witch and the Wardrobe Birmingham Repertory Theatre By C.S. Lewis Dramatised by Adrian Mitchell Music by Shaun Davey Directed by Tessa Walker   Reviewed by: Mary Moncrieff Long...
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Theatre Review: The Birthday Party (Harold Pinter Theatre)

The Birthday Party Harold Pinter Theatre by Harold Pinter Directed by Ian Rickson Reviewer: Tom Baker Most of Harold Pinter’s plays feel as though they ought to be performed...

Theatre Review – The Magic Flute, ENO

The Magic Flute English National Opera by Wolfgang Amadeus Mozart Directed by Simon McBurney Reviewer: Andy Millward This is The Magic Flute (AKA die Zauberflöte) as Mozart could never possibly have envisaged it, one...